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This series of interviews will shed some light on some of the Mixed Media artists dA has to offer. This issue features CrisVector who combines Photoshop with Poser elegantly.
1) Please tell us a little about yourself first.
Hi... I'm Cristiano Siqueira, but I think that most people know me as CrisVector since I joined the DeviantArt community in July 2004. I'm a self employed illustrator based in São Paulo, Brazil. I work for all kind of clients that need some illustration work: Packaging, Editorial, Web Design... I'm 27 years old and I have done some kind of art or other since I was a child. But I started with this in a serious way as a student, for 12 years ago. Professionally I’ve been in the art area for 7 years, 4 years as graphic designer and 3 as freelance illustrator.
2) How did you start out with art? Which was the first (digital) medium you used and why this one?
As I said, I started when I was very young. I used to play copying comic drawings with carbon paper. Some years later, I started my art studies in the traditional way, learning painting and drawing. During that time, the software for illustrations wasn't so accessible to the public (at least in Brazil). Just the high level professionals could use some of them in special projects. The first time I saw a Mac running Illustrator I was 16 years old. I didn't have money enough to purchase any computer, so my dream was to get a Mac. After this first contact, I forgot the computers for a while, concentrating my efforts to reach a good level of illustration in the traditional ways. I tried a lot of techniques, from a simple work with pencil to oil and acrylic paintings, until I got satisfactory results in my work.
After my course I got a portfolio with some illustrations. So I tried to find some job. Three years after the first contact with a Mac, I saw myself working in a graphic design studio exactly with a Mac and Illustrator. It was my first "real" experience with some digital medium. My job was redraw logotypes, so I got a lot of experience using Illustrator, after this I've been introduced to Photoshop, doing image retouches.
3) What prompted you to venture beyond this medium?
The necessity. I started working in a graphic design studio. My only task was redrawing logotypes and do some image retouches. So it was a time to learn and dominate the new tools. All my thoughts in art were traditional, but using the graphical software, I saw it was possible to create some good art using them. I started some experiences with Illustrator, doing few and simple illustrations using pencil sketches as bases. Later I went to Photoshop, colorizing my sketches. Once I got a satisfactory result, using digital mediums, I never left them.
4) What does “Mixed Media” mean to you?
I think that "Mixed Media" is an elegant way to call that works done with various tools. It's a better name than "miscelaneous", I think. Personally I work in "mixed media" in almost all of my "non-vector" stuff. I like to explore the potential of different tools to create a single piece of work.
5) Which media did you use for your deviation Metamorphosis? Why did you choose these specifically and which part of the deviation is what?
Here I used Poser and Photoshop, so 3D and raster. The model and the guides to do the splinters I got from Poser. I chose it because it was the faster and easier way to get a realistic model with that outline guides. To do that small pieces flying away, the colors, the shading effect in the pieces and the background I used Photoshop. I use Photoshop every time to do color corrections and digital painting. So I finished the entire piece in Photoshop.
6) Do you have any tips regarding the use of several media in ones art – is there something one should keep in mind when combining the art forms?
I always keep in mind that all good work starts on paper, in the sketches. I think this is still the best way to plan the ideas, think about the concept before going to the digital tools... Once you have a solid idea of a good image, it's easier to know what media you should use to finish it. Sometimes people just think about the software and they forget to plan their ideas. The result is a work without personality, formatted. Let the idea define the tools, not the tools define the ideas.
Thank you very much for taking the time to answer these questions.
Previous Issues:
Mature Content
1) Please tell us a little about yourself first.
Hi... I'm Cristiano Siqueira, but I think that most people know me as CrisVector since I joined the DeviantArt community in July 2004. I'm a self employed illustrator based in São Paulo, Brazil. I work for all kind of clients that need some illustration work: Packaging, Editorial, Web Design... I'm 27 years old and I have done some kind of art or other since I was a child. But I started with this in a serious way as a student, for 12 years ago. Professionally I’ve been in the art area for 7 years, 4 years as graphic designer and 3 as freelance illustrator.
2) How did you start out with art? Which was the first (digital) medium you used and why this one?
As I said, I started when I was very young. I used to play copying comic drawings with carbon paper. Some years later, I started my art studies in the traditional way, learning painting and drawing. During that time, the software for illustrations wasn't so accessible to the public (at least in Brazil). Just the high level professionals could use some of them in special projects. The first time I saw a Mac running Illustrator I was 16 years old. I didn't have money enough to purchase any computer, so my dream was to get a Mac. After this first contact, I forgot the computers for a while, concentrating my efforts to reach a good level of illustration in the traditional ways. I tried a lot of techniques, from a simple work with pencil to oil and acrylic paintings, until I got satisfactory results in my work.
After my course I got a portfolio with some illustrations. So I tried to find some job. Three years after the first contact with a Mac, I saw myself working in a graphic design studio exactly with a Mac and Illustrator. It was my first "real" experience with some digital medium. My job was redraw logotypes, so I got a lot of experience using Illustrator, after this I've been introduced to Photoshop, doing image retouches.
3) What prompted you to venture beyond this medium?
The necessity. I started working in a graphic design studio. My only task was redrawing logotypes and do some image retouches. So it was a time to learn and dominate the new tools. All my thoughts in art were traditional, but using the graphical software, I saw it was possible to create some good art using them. I started some experiences with Illustrator, doing few and simple illustrations using pencil sketches as bases. Later I went to Photoshop, colorizing my sketches. Once I got a satisfactory result, using digital mediums, I never left them.
4) What does “Mixed Media” mean to you?
I think that "Mixed Media" is an elegant way to call that works done with various tools. It's a better name than "miscelaneous", I think. Personally I work in "mixed media" in almost all of my "non-vector" stuff. I like to explore the potential of different tools to create a single piece of work.
5) Which media did you use for your deviation Metamorphosis? Why did you choose these specifically and which part of the deviation is what?
Here I used Poser and Photoshop, so 3D and raster. The model and the guides to do the splinters I got from Poser. I chose it because it was the faster and easier way to get a realistic model with that outline guides. To do that small pieces flying away, the colors, the shading effect in the pieces and the background I used Photoshop. I use Photoshop every time to do color corrections and digital painting. So I finished the entire piece in Photoshop.
6) Do you have any tips regarding the use of several media in ones art – is there something one should keep in mind when combining the art forms?
I always keep in mind that all good work starts on paper, in the sketches. I think this is still the best way to plan the ideas, think about the concept before going to the digital tools... Once you have a solid idea of a good image, it's easier to know what media you should use to finish it. Sometimes people just think about the software and they forget to plan their ideas. The result is a work without personality, formatted. Let the idea define the tools, not the tools define the ideas.
Thank you very much for taking the time to answer these questions.
Previous Issues:
Artist Scam - there's a new one around!
[You can also read this article on my blog where it was first published] There are a million and one ways to get scammed on the internet, we all know that. And of course there are also scams directed at artists specifically (1). But there is a new scam in town that I want to talk about that is geared specifically towards online artists. If you are an artist with an online presence chances are you have received one private message or other on one of your social sites. These messages differ, depending what they are trying to sell you, but they usually have one thing in common: they sound like YOU are going to be the one earning a shit ton of money – for next to no effort. And usually that is because your art is just so special. aha. sure *sigh* (hint: no ones art could ever be that special) Note 1: I am not telling you any names because the next person trying to scam you might use a different one. Ultimately, the name is completely unimportant, what is important is to know that you
Notre Dame, Improvements and Progress
Progress is a strange thing. It can be so incremental that you don't realize you are making it :giggle: I've been looking through some old pictures I took these past 10 or so years since I've had a DSLR, particularly to see if there was something I would like to put up as exclusive stock for my upcoming contest (over at @kuschelirmel-stock - it'll start this weekend! :w00t: ). I stumbled upon our visits to Paris, where I found my Notre Dame pictures. I uploaded three here into my gallery (as well as making them available part of an exclusive stock pack - coming soon!): I still cannot fathom that a lot of it burned down in April 2019 (with no one getting seriously injured). It was one of my favorite places to visit in Paris; even with all the tourists inside, it felt super divine to be there. On a side note, despite large donations, the 2024 date set by French president Emmanuel Macron is seen as an impossible time frame, and especially so after the announcement in July 2020
Sneak Peak + Contest?
Well hello there! I am still here and seem to have some more energy lately - in big part thanks to my watchers and friends over at my stock account @kuschelirmel-stock who have managed to make me see that it is *not* just me who feels like all creativity has just drained from them these days. For some reason knowing I am not alone and that it is okay to voice these thoughts (despite that little voice in the back of my mind constantly shouting "Stop complaining, you've got it great, this is peanuts. Whimp!") has made a tremendous difference. :heart: :heart: :heart: Aaaand it also means I'm actively trying to be more active here on dA and "behind the scenes" with manips and uploading stock and I'm also keeping at it on the Photoshop 3D front! Not that I have managed to finish a manip yet, but hey, baby steps, right? :D Sneak Peak Here is a sneak peak at what I am currently working on (among other things - meaning it'll take ages to finish, but that is fine :D ): Can you guess
kuschelirmel - the art of Jasmin Junger
Since I don't get around to updating this journal as often as I should, I thought I'd leave you some information on me and what I do in case you're interested...
My name is Jasmin Junger, by day I work for an engineering and construction company based in Frankfurt am Main, Germany. I live in Karlsruhe though, that means quite the long commute every day (though I can do home office sometimes). That in turn means there is little time for my photography and photomanipulation hobby - so if you are trying to reach me, please don't get mad if I don't immediately respond.
I have been photoshopping for more than 15 years now and I still absolutely
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